Considered one of the nation's largest, most significant suburban art museums, Nassau County Museum of Art is located on the former Frick Estate, a 145-acre property.
The main museum building, named in honor of art collectors and philanthropists Arnold and Joan Saltzman, is a three-story Georgian mansion that exemplifies Gold Coast architecture of the late 19th century.
The museum's Sculpture Park is one of the largest publically-accessible sculpture gardens in the Northeast with approximately 40 outdoor works of art.
From 1880 to 1967, the Hopkins Family owned Muscoot Farm. At that point Westchester County acquired the property to help preserve the area's agricultural history. Today the farm is open to visitors, who can stroll through the original barns and visit animals. Muscoot also offers year-round events and activities for children and adults.
QWR: 75 Years of History!
The Quogue Wildlife Refuge celebrated its 75th year of existence in October, 2009. The Refuge has a fascinating history that started in 1934. Several exceptionally cold winters in the early 1930s caused a decline in the Black Duck population which alarmed many local duck hunters. During a meeting at the Hampton Bays Firehouse, Charlie Belt explained the severity of the waterfowl plight, and suggested they establish a waterfowl refuge, a place where they could propagate and rear waterfowl “…to put two ducks in the air for every one we take.” From this meeting, the Southampton Township Wildfowl Association (STWA) was formed with 45 charter members; all were duck hunters and pioneer conservationists from the town of Southampton. Their signatures are on the charter which hangs over the fireplace in the Charles Banks Belt Nature Center at the Refuge.
STWA used the land that was formerly the Quogue Ice Company to create a sanctuary. The easterly 104 acres of the former Ice Company was donated by Richard and George Post, sons of charter member Abram Post. This land was given to the Incorporated Village of Quogue who appointed STWA Trustees as the official stewards of the land. In 1938, STWA rallied friends to purchase the westerly half of the Quogue Ice Company, 107 acres for $1,400 from charter member Erastus Post. Another 100 acres of land was added to the Refuge for preservation by Southampton Town in the 1980s, when town officials agreed to rezone a nearby subdivision from two- acre lots to one- acre lots.
Feeding the birds was a top priority. This was a huge undertaking, requiring two men for at least two hours a day. These men volunteered their time to cut ice from the pond and feed the famished flocks. In one year alone, over thirty tons of grain-potato mix was prepared and fed by STWA volunteers.
In 1936, STWA was awarded First Prize in a National Waterfowl Contest, sponsored by More Game Birds in America (Ducks Unlimited, Inc.) for the vast amount of work accomplished through volunteer efforts. The engraved Silver Cup remains on the mantle.
What was known as the Quogue Waterfowl Sanctuary on old maps is now known as the Quogue Wildlife Refuge. The Refuge has evolved over time to take school groups on tours, to care for permanently injured animals in the Distressed Wildlife Complex, and to offer educational programs for people of all ages throughout the year. The 305 acres remain a safe place for plants and animals, and a peaceful haven for people to visit.
Home Sweet Home is a museum named after the famous song of the same name. The song's historic salt-box is located on the East Hampton Village green, which was founded in the 1720s and still retains the charm that once was colonial East Hampton. The Pantigo Mill, which dates to 1804, is located just beyond the museum.
John Howard Payne, an early American playwright and actor, wrote the song, "Home, Sweet Home," in the 19th century, and many have attributed his inspiration for the song to the salt-box. Payne's mother was from East Hampton and his father once taught at the Clinton Academy, which is another historic site just down the block. Payne visited East Hampton as a child.
The Buek family owned the house from 1907 to 1927 before the village purchased it and opened it as a museum in 1928. They had furnished the house with antique period and colonial revival pieces, as well as memorabilia in honor of Payne. The words "Home Sweet Home" are etched on the door- knocker. A bust of Payne is in the museum's entrance.
The front part of the house is set up as if the Bueks were living there in the 1920s. Antiques, china, and lustreware fill the rooms. The gardens -- a parlor window fragrance garden, a 19th-century pleasure garden and an 18th-century herb garden -- contain species, like antique roses, found during that time period.
Hugh King, the village's historic site manager, gives a passionate tour of the museum, and is a wealth of knowledge about East Hampton. Postcards and small souvenirs are available for purchase.